Showing posts with label Flux. Show all posts
Showing posts with label Flux. Show all posts

Friday, January 08, 2010

Editor Interview: Andrew Karre on His First Year at Carolrhoda...

I last caught up with Andrew Karre in October 2008 shortly after he moved from Flux to become editorial director at Lerner Imprint Carolrhoda Books so I thought it was about time I check in with Andrew to see how things are going...

You’ve have just more than a full-year under your belt as editorial director at Carolrhoda Books. How did year one go?


It went very well. I work with an amazing group of colleagues and being able to work with them on the books that were in process when I arrived was a pleasure and an education. And what a great batch of books my predecessor left. It’s an impressive act to follow. Sally Walker’s Written in Bone and Vaunda Nelson and Greg Christie’s Bad News for Outlaws have been critical highlights (six stars between them), but there are so many more I could name.

I’m also very excited about what we’ve been able to acquire for 2010. I think the fall 2010 list is going to be very exciting—a great mix of new names and veteran authors and illustrators.

Has the economic climate had an effect on your line? What’s your advice to new writers on breaking in at this point?

The economy affects everything, of course, but I don’t feel like we’ve let it affect the books in terms of quantity or quality. It just means your publishing decisions need to be that much smarter.

Your company has a good online presence. Do you encourage your authors to use the Internet (Twitter, facebook, blogs, site) for promotion as well?

I don’t see how an author can start out now without some sort of online presence, so yes, I encourage. But I don’t think publishers help anyone when they simply say “go forth and do online promotion.” It’s not enough to say get on Twitter and Facebook and start a blog. There needs to be strategy and a reasonably deep understanding of how these technologies can advance an author’s career and sell the publisher’s books. It’s more work to do this author by author, but at least it has a chance of bearing fruit.

What kinds of things do you discuss on the Carolrhoda blog?

For the moment, the blog is mostly my thoughtful spot. I dump a lot of unrefined thoughts about publishing and editing and writing and whatever there. It’s also where I post submissions information.

Tell me about some Carolrhoda projects you’re excited about.

I’m excited about so many things in fall 2010, but before that, in spring, there’s a piece of narrative nonfiction for YAs that I think will get a lot of attention. It’s called An Unspeakable Crime and it’s by Edgar-award-winning novelist Elaine Marie Alphin. Basically, it’s the story of the lynching of Leo Frank in 1914. It’s a shocking and seminal moment in post-Reconstruction/pre-Civil Rights history, and there’s very little written about it for YAs (and teens were a big part of the story).

In fall, I’ve got a new picture book illustrated by CSK winner Floyd Cooper, and I’ve got three absolutely brilliant YA novels, and a new work of nonfiction by Sally Walker.

According to your blog, at the end of September you cut off accepting unsolicited submissions. Will this change in the near future?

This is temporary. I’m just way, way behind. I imagine in a couple months I will turn on the fire hose again. When I do, the blog will be the place to find out. (And Twitter: @andrewkarre)

Find Andrew Karre and Carolrhoda online:

Friday, February 13, 2009

Blogger of the Week:
Christy Raedeke...


Oregon-based YA author Christy Raedeke is a self-proclaimed "compulsive blogger." Here she talks about starting out, why she blogs, and offers some advice to those just dipping their toes into the blogosphere. Click here to visit her blog Juvenescence (I love the name!)

Why did you start blogging?

I really started blogging about five years ago with a blog unknown to even my husband! I think blogging is a really interesting way to get your writing gears moving every morning. A year ago I started the blog Juvenescence, which gave my blogging a bit of focus. Wait, what’s less than a bit? A smidge? Okay, it’s more like a smidge of focus.

What do you blog about?

I started this blog to connect with other writers, not as a marketing tool. I try to include anecdotal information about the publishing process as I go through it and I’ve started doing interviews with debut authors, but a lot of the time I post about things that are happening in my life. Vignettes, I guess.

What advice would you offer new bloggers?

If anyone is thinking of starting a blog, I’d say go for it! It’s free and it’s incredibly easy to figure out. (It takes literally less than five minutes to set up a blog.) Blogging will quickly become a natural part of your daily writing practice. And there’s something magical about the “Publish Post” button that you click to get a new post on your blog; think of it as your daily commitment to publishing. I had no readers the first month, a handful the second, and then the growth was exponential. Stick with it. Post often, even if it’s a short one. Make friends with other bloggers—there are people I know through blogging whom I would hug like long-lost kin if I met them in person, that’s how much I love them.

Tell me about your upcoming titles with Flux.

This was my deal report from Publishers Marketplace:

Christy Raedeke’s PROPHECY OF DAYS, pitched as a YA Da Vinci Code relating to the Mayan calendar which mysteriously ends in 2012, in which a teen, with the help of a gorgeous Scottish lad, must figure out her role in a cryptic prophecy while trying to outwit a secret society that will stop at nothing to control her, to Andrew Karre at Flux, in a two-book deal, for publication in Summer 2010, by Laura Rennert at Andrea Brown Literary Agency (North America).

Friday, November 14, 2008

Blog of the Week:
Carrie Jones...


Author Carrie Jones says she started blogging "while I was a student to keep up with Sarah Aronson, Ed Briant, Bethany Hedgerus and so many other people who had graduated from Vermont College's MFA in Writing for Children and Young Adults. It was very informal and mostly we all said, 'I miss you.' 'I miss you, too.' 'My narrative arc stinks.' 'Mine's worse.' 'Oh, yeah, my character is a one-dimensional stereotype.' "

Later editor Andrew Karre, then at Flux, acquired Carrie's first book, Tips on Having a Gay (ex) Boyfriend (a 2008 Cybil Award finalist). "He told me that I needed to have a blog, so my posts started to change a little bit. They morphed again when I was running for office. I just lost. It's hard to write posts from the point-of-view of your cat when you're a political candidate."

Things like featuring her cat as a guest blogger make Carrie's blog a pleasure to read. "Those kind of posts are for fun and they help me to take writing a little less seriously. It's hard to worry about the fact that I'll never be nominated for a National Book Award when I can make my cat talk about it instead," she says. "It's a way of processing, I guess. Plus, it's freeing. Your cat or your dog or John Wayne can say things I could never imagine saying. Recently, I had a blog post where John Wayne was telling me to stop worrying and just write some words. Somehow in that tiny blog post I realized: what it was I was worrying about; why I was worrying about it; that it wasn't actually a problem. John Wayne is magic like that." (See her book Girl, Hero for more John Wayne magic.)

Carrie's advice for keeping your blog entertaining, she says, would to be the same as her advice for writing:

  • Just write and don't worry.
  • If you want to write about a hamster falling in love with a lobster that's okay. Someone will think it's clever.
  • Write the kind of blog you want to read. If that's clever, then go with that. If it's full of links? Do that. If it's all about you making dinner, that's good too.
  • Pictures are your friends.
  • Complaining ALL THE TIME is not always helpful, but it's ok to complain sometimes.
  • Respond to comments and comment on other people's blogs. It's the nice thing to do. Your mom would be proud. Blogging is a kind of conversation and nobody wants to listen to one person talk the entire time unless, of course, that person is M.T. Anderson or Tim Wynne Jones.
Or John Wayne?

Carrie's next book Need will released in late December from Bloomsbury. The cover is beautiful. Check it out.

Wednesday, October 22, 2008

Editor Interview:
Andrew Karre...

Just a few weeks ago Andrew Karre moved from his position as acquisitions editor at YA-only Flux to assume the role of editorial director at Lerner Imprint Carolrhoda Books. Here Andrew talks a bit about his transition and his new job and offers advice to authors whose editors relocate.

Why the move from Flux to Carolrhoda? How is your new position different from your old one?
First off, it was not an easy decision. Working for Flux has been a joy and an adventure at nearly every turn. I am enormously proud of those books. Flux has some limitations for a children’s book editor, though, namely in the focus on YA fiction. I adore YA novels, but I honestly could not see myself acquiring them exclusively for the next decade. It just seemed unbalanced. My hope was that one day we’d be able to grow and branch out to the full spectrum of children’s literature, but when the opportunity came to step into a directorial role at an imprint that already had what I wanted (and that was part of an established children’s publisher a few miles from my home) . . . well, it was not an opportunity I could pass up.

Was it tough to leave Flux and particularly your Flux authors?
Agonizing. Absolutely horrible. There’s never a good time to leave a list in progress. The day before I gave my notice, we got that awesome notice on PW’s ShelfTalker blog. I knew there would be books that I was dying to edit that I would not be able to. There were books that were about to come out that I was convinced would be thrillingly successful. And of course it is such an amazing group of authors. They made almost every day interesting.

What's your advice to authors whose editors relocate?
In general, I would say this is where you really want your agent to be watching out for you. If you don’t have an agent, I would firmly but politely make sure I got as much information about The Plan of Succession, assuming there is one, as possible. At a minimum, get some other phone numbers and email addresses of other people in the house who might be able to answer questions. It isn’t necessarily a cause for panic, though. I have now happily inherited lovely lists of books twice in my career. I re-signed and had ongoing, productive relationships with several authors that Megan Atwood left me at Flux and I expect to have the same here at Carolrhoda.

In Flux’s particular case, my only concern is that authors will like Brian better than they liked me. Once they finally hired Brian Farrey to take the spot, I ceased to be concerned. The authors at Flux are in good hands.

What can you tell us about the Carolrhoda line? What types of books do you publish? Will you be making any changes as editorial director?
Carolrhoda is one of Lerner’s trade imprints. We do a couple dozen books a year and they range from picture books to YA, fiction and nonfiction. The emphasis is on books of extremely high quality that have a general trade audience. Recent successes include Sally Walker’s Sibert-award-winning Secrets of a Civil War Submarine and Almost to Freedom by Vaunda Micheaux Nelson and illustrated by Colin Bootman, which won a CSK Illustrator honor. Carolrhoda has won awards and starred reviews at every level of children’s publishing.

Carolrhoda has a long tradition and I won’t make changes lightly, but I do have my own style and my own ideas (especially about YA) and those won’t go away. I like being online and part of the broader conversations about books, so that will inevitably be part of what I do here.

Are you open to submissions from authors? What are you looking for?
Lerner does not consider unsolicited submissions. From time to time, we’ll make specific requests for certain kinds of books.

You blogged while at Flux. Is there a Carolrhoda blog?
At the moment, I’m blogging here. Any news relating to me and Carolrhoda will be there until we get a Carolrhoda blog going.

Thursday, May 15, 2008

Debut Author of the Month: Debbie Reed Fischer...

Debut YA novelist Debbie Reed Fischer originally planned to write screenplays, but instead she fell into the business side of the industry, becoming a talent agent for TV and film. "It's probably just as well," she says, being that her first screen play—"about sorority girls who were perky Susie Chapsticks by day and axe-wielding serial killers my night"—wasn't exactly Oscar-worthy. "Now I would let my neighbor's dog use it as a chew toy if I could find it."

Fischer moved from talent agenting to model brokering in Miami, an experience that offered her a treasure trove of characters and the backdrop for her debut Braless in Wonderland released in April by Dutton. She eventually left the world of modeling behind, got married, went back to college and became an English teacher. After five years of teaching, she quit to "have two babies and focus on writing." She got involved in SCBWI, found a mentor, and started attending conferences—which all helped lead her to her first book contract. Here's her story.

Do you have an agent? How did you get your book contract with Dutton for Braless in Wonderland?
I was fortunate enough to meet my agent Steven Chudney at a Florida SCBWI conference. Within five minutes of my “pitch,” he kindly told me I talked too much, which shows he is a very perceptive man. We hit it off immediately. Steven really ‘gets’ my humor and what I’m going for. He sent out Braless in Wonderland to a handful of editors, and we received some positive responses within a few weeks, but it was Dutton who responded first. It was another several weeks of nervous waiting as it went up the editorial ladder until I got The Phone Call that an official offer had been made. The date was June 14, 2006, one of the happiest days of my life. My kids and I released a gaggle of balloons in the sky and I told them they could be anything they wanted. We celebrate June 14th every year now as our own wacky “dream day” holiday.

Your website refers to Braless in Wonderland as “a funny, honest peek at the crazy and glamorous world of professional modeling.” Tell us more about your debut novel.
Braless in Wonderland is about a small-town girl named Allee who falls into the world of modeling. She considers herself a brainiac and a feminist, but definitely not model material. She leaves that to pretty people like her little sister (a.k.a. “The Fluff”). That’s why it’s a complete shock when Allee, not her sister, is the one spotted by modeling scouts at the mall and signed by a major modeling agency in Miami. The book gets inside the mind a new model, especially her insecurities and her misconceptions about what the modeling industry is like. It’s also about holding on to the core of who you are, but being willing to grow and change.

You worked as a model booking agent for years—at the time did it occur to you that that world would make a great backdrop for a YA novel? Did anything in particular spark your idea?
It occurred to me from my very first day on the job, as I videotaped teen models dancing in prom dresses for a casting. The environment is so surreal, you really feel like you’re in a kind of modern Wonderland, which is one of the reasons elements of Alice in Wonderland are woven throughout the story. Many scenes in the book are based on my experiences as a booker. I repped a model who always carried a stuffed animal she called Jupiter. She made us talk to it. That weirdness made it into the book. The agency provided lots of inspiration.

I was especially intrigued by the fact that so many stereotypes I’d held dear were wrong, namely the “models are shallow and dumb” belief. That is definitely untrue. It’s just that models often have to choose between college or their career, which leaves them uneducated. Some manage to do both, but for most, the demands of the modeling industry and the travel required make it a tough call. That issue is addressed in Braless, as is the issue of stereotyping.

I was also fascinated by the transformation that took place after a new model arrived in South Beach. Every season there was some shy, quiet Susie from Osh Kosh who would suddenly become confident, loud Suzette by season’s end. That screamed, “YA novel!” to me. The teen years are a time of self-discovery, and the modeling industry is a world where you get to “try on different shoes,” both literally and figuratively speaking.

At one point, you decided to quit teaching and get and serious about writing. How long did it take you to get from that point to being a published YA novelist? What did you do along the way to learn about the world of books for young readers?
It took me about four years. The first year I attempted to write a novel without taking workshops or joining a critique group, because I just didn’t know any better. Plus, since I’d studied screenwriting, I actually thought I was ready to be published. HAHAHAHAHA! Never have I been so painfully wrong. That manuscript is now where it belongs. Six feet under. Just kidding, it’s in my closet. But I should probably bury it.

After about a year of toiling away, I realized A) that I was stuck, and B) it was terrible, so I took a workshop at a local library led by a YA author. It was then that I realized how much I still had to learn. I joined a wonderful critique group, started attending conferences, met fellow YA writers and really dedicated myself to my goal. As far as learning about the world of books for young readers, I’ve been an avid reader of middle grade and young adult fiction since I was a middle grader myself. I’ve never stopped reading books for kids. That’s actually why I had kids, to give me an excuse to read children’s books.

On your website bio, you mention a mentor. Can you tell me about that person?
With pleasure. Her name is Joyce Sweeney and she’s an award-winning YA author, a teacher, and a tremendous source of strength and guidance for many writers in South Florida. It was her workshop that inspired me to go after my dream. Under her mentorship, many local writers have become published. She also worked with my agent Steven many years ago when he was a publicist. I’m a big believer in synchronicity. People definitely come into your life for a reason.

On your site, you give ten tips for writers. Your #1 tip: “Be fearless.” Are there any fears you had to overcome as you embarked on a writing career? Any fears you’re still working on?
My fears mostly deal with revealing truth in my writing. Even though I write humor, I also draw from my own personal mistakes, my insecurity and awkwardness; all of that takes courage. I really try not to pull punches when it comes to depicting the under belly of high school politics, family relationships, or in the case of Braless, the modeling industry. Someone who read my book said to me, “Why do you have to write about models who take diet pills?” I answered that while it’s true that not all models pop pills, it would be dishonest to write a book about the modeling industry and not include a model who takes appetite suppressants. There are models in my book who starve themselves, models who eat healthfully, as well as some who eat tons of pizza and fast food, yet remain wasp-waisted goddesses. All types exist in the modeling world. The truth is the truth.

A scene in Swimming with the Sharks, involves a first-time make-out session that goes horribly wrong. It’s based on an experience I had in high school, and it was incredibly difficult (read embarrassing) to write, and even more difficult to read to my critique group. But it was a turning point for me as a writer. Every single person in the group recounted an experience similar to the one I’d written. It was clear I’d struck a chord, and now I’m glad I wrote that scene. But that’s where the fear comes in, those pesky thoughts of "What will my mother-in-law or my son’s teacher think?" It takes bravery to be honest and I’m a total chicken about most things. But I really can’t write any other way.

I love that you’ve got a dream cast picked out for a movie version of Braless in Wonderland—that’s something I do a lot when I read novels. Has the book been optioned? Maybe it could turn into the next big CW show. (Gossip Girl will be cancelled eventually, although I hope not any time soon.)
CW, Lifetime, the big screen, the Weather Channel, bring it! It hasn’t been optioned . . . yet. Would you like to join me in a little visualization exercise so we can make this happen? That whole law of attraction thing? Come on . . . concentrate . . .

I also love that you’re giving away accessories (hoop earring like ones your main character wears, for instance) along with books as you promote Braless. What else have you been doing to create buzz?
Fun interviews like this one! The most rewarding thing I’ve done to promote is join the author class of 2k8. It’s a wonderful network and I’ve learned so much from other members. I also love communicating with readers via the Internet. I’m active on Myspace, Facebook, and I have a blog. Write to me! My video trailer is my favorite part of promotion so far. It feeds that whole “movie option” fantasy . . .

In a blog post you expressed some frustration in regards to promotion—the MySpacing, Facebooking, blogging, Listserving, chatrooming, etc.—in that it takes time away from writing. As a debut author, how do you reconcile that?
I’m getting all tough love now with my promo activities. Ultimately, time for writing has to be a priority. Everything else has to come second. If it means I have to neglect my blog for a few days to finish a chapter, then so be it.

Tell me more about your second novel, Swimming with the Sharks which comes out in September from Flux.
The main character is Peyton, who has finally earned a coveted spot on the varsity cheerleading squad. For her, it’s the end of standing on the social sidelines and the beginning of being in the Alpha Clique. The problems start when Lexie, the charismatic and powerful squad captain, orders Peyton and her team mates to drive another girl off the squad by bullying her. As the cruel hazing spirals out of control, Peyton is torn by her conscience, yet seduced by the chance to have everything she wants.

What’s your advice for aspiring YA novelists, particularly anyone thinking about giving writing full time a go?
My motto is: “Write what blows your skirt up!” Write whatever it is that you like to write. Enjoy yourself. Don’t get caught up in the angst, the neigh-sayers, the statistic-quoters. Just write. Find your own voice. Most of all, take workshops, join writing organizations, and make friends with other writers. It can change the trajectory of your life. Trust me. Oh, and check out my website for more writing tips at www.debbiereedfischer.com.