What People Are Saying About the Recent SCBWI New York Conference...
In my recent newsletter (click here to subscribe), I asked to hear from writers and illustrators who attended the SCBWI Mid-Winter Conference which took place in New York February 8-10. I was not able to attend so this was my way to live vicariously through those of you would did.
These bloggers alerted me to their posts about the conference: Kristi Valiant; Mary Cronin; Donna McDine; and Darcy Pattision whose blog includes links to other attendees conference reports.
I'm keeping me fingers crossed that I'll get to attend the SCBWI Conference in LA this summer.
If I do, I'll be blogging like mad, just as I have the past two years. (See my August 2007 and August 2006 archives if you're interested. I just now relived the last conference as I read through my old post. It was lovely to think about being in sunny Los Angeles, abuzz with children's book people, instead of here in cold, snowy, icy Cincinnati.)
Friday, February 22, 2008
What People Are Saying About the Recent SCBWI New York Conference...
Tuesday, February 19, 2008
Check Out Chuck's Blog...
Guide to Literary Agents editor Chuck Sambuchino recently posted notes from a conference session he attended with agent Jennifer Laughran of Andrea Brown Literary and author Wendy Lichtman. They offered tips and advice for writing for tweens and teens.
Click here's to check it out.
Friday, February 15, 2008
Debut Author of the Month: Donna Gephart...
Donna Gephart's first book As If Being 12¾ Isn't Bad Enough, My Mother Is Running for President! was released just days ago by Delacorte Press. Here she tells us a little about her first book, how she found her agent and shares her 10 Very Important Pieces of Advice for Unpublished Writers.
Just in case someone out there can’t get the gist of your book from its great title, please tell my readers about it.
Six-word alliterative version: Angst. Athletic (As if!). Assassination attempt.
Slightly longer version: Preparing for spelling bees, having a secret admirer, and waiting for her chest size to catch up with her enormous feet are pressure enough, but twelve-year-old Vanessa must also deal with loneliness and very real fears as her mother, Florida’s Governor, runs for President of the United States.
Tell me a little about your path to publication. How did you find your agent, Tina Wexler of I.C.M?
Several years ago, Tina put out a call for writers on the SCBWI Discussion Boards. I sent her the book I’d been working on and a cover letter, in which I wrote one sentence about a gawky, awkward spelling bee champ thrust into the spotlight because her mother is running for president. Although Tina didn’t think she could sell the book I’d sent, she did like my writing and expressed interest in my story about the girl whose mother is running for president.
Unfortunately, it was little more than a short story at the time. With Tina’s encouragement and that of my critique group, I turned that short story into a novel.
Tina had many revision suggestions, such as writing less about Vanessa’s romantic interest and more about the inside scoop on the political process. I did months more research, kept only the first two chapters of the original novel and rewrote the rest. Tina loved this version and sent it to seven publishing houses. She warned, “It might take several months till we hear anything.”
Three weeks later, I got The Call.
How did you feel when you got The Call?
I was in the middle of folding laundry (very glamorous, I know) when I saw the New York exchange on our phone’s caller I.D. I screamed, “It’s my agent. Everyone be quiet!” My son was the only one home at the time, and he was being quiet.
None-the-less, I locked myself in my closet and listened as my agent told me not one, but two editors were interested in my novel--one from Random House, the other from Scholastic. At the end of the day, Stephanie Lane from Delacorte Press, a division of Random House, sent me an e-mail telling me she was delighted to have acquired my novel.
Once your book was under contract with Delacorte, what was the editorial process like? Were there any surprises?
My experience working with my editor, Stephanie Lane, and the talented staff at Random House has been a dream come true. I learned that publishing and promoting a novel is truly a team effort.
Stephanie, of course, made excellent revision requests. This is the stage where larger issues are addressed. I added a minor character and made several changes.
Next, I was asked to go over the manuscript after a proofreader had made corrections. During this pass, I realized how many minor mistakes I hadn’t noticed. Oops!
Finally, I proofread the manuscript after it had been set for printing. I was surprised by how many new minor mistakes cropped up.
Also, it was great fun to have some say in choosing the cover model. (I don’t think this is typical.) I thought designer Kenny Holcolm did a fantastic job with my cover.
Why did you decide to use the world of election politics as a backdrop for your novel? Did anything in particular spark your book idea?
Writers are often told, “Write what you know.” I believe more in the adage: “Write what interests you, what sparks your passion.” Politics interested me and still does.
At the time, there weren’t many books for children about politics. I hoped my novel would be a fun introduction to the political process for young readers. In fact, if readers want to learn more about the president and the political process, I’ve included Web sites at the back of my book and on my Web site, www.donnagephart.com.
Do you have anything in common with your main character Vanessa other than your shoe size?
Besides having large feet, Vanessa and I both love the color purple, reading, playing Scrabble and hanging out with cute boys who have big hearts. (I married mine.)
On a deeper level, this novel is about Vanessa’s warm, caring relationship with her mother. Unfortunately, Mom’s obligations as a governor who is running for president keep their time together to a minimum. In the novel, Vanessa’s mother misses a very important spelling bee and is temporarily unavailable when Vanessa gets injured. My mother, on the other hand, attended all my school functions and was available for every important childhood event, but because she was a single parent who worked full-time, she was often too busy or tired for us to spend much time together. Vanessa’s feelings of loneliness came directly from my early childhood.
Does the fact that Hillary Clinton is in the Presidential race make you happy (in terms of your book sales of course)?
Wasn’t that thoughtful of Hillary Clinton to run for president the same year my book about a mother running for president was released?
You’ve done all sorts of writing including greeting cards, articles and essays. What led you to write for young readers?
I enjoy all kinds of humorous writing, but when I’m creating funny novels for tweens, I feel like my writing voice has found a home. Seeing my words on greeting cards and in magazines like Family Circle and Highlights for Children was thrilling, but being part of the amazing collection of literature for children is a true honor.
You read a lot of books in 2007. How do you decide which titles to pick up? Any favorites?
I pay attention to what people are talking/blogging about. I read reviews. I check the “new books” section of my local library obsessively.
Unfortunately, even though I spend most evenings reading, I never seem to make a dent in my growing pile of books I hope to read.
The Book Thief by Markus Zusak made a big impression on me. It’s a sad, but wonderful novel narrated by Death.
But if I had to recommend one book that I read this past year, it would be The Absolutely True Diary of a Part-time Indian by Sherman Alexie [which one the National Book Award for Young People's Literature in 2007]. This novel contains so many elements of excellent fiction. I learned about a different culture, and was moved to laughter and tears often. It’s a sparse, honest and moving read.
Lately you’ve attended an SCBWI conference in your home state of Florida and attended the ALA meeting at which the Newbery, Caldecott and other ALA awards were announced. Does it feel any different attending these events as a published author?
I was delighted when Random House sent me to my home city of Philadelphia to attend the ALA Midwinter Conference. It was exciting to talk with librarians, who were passionate about getting good books into the hands of young readers. And sitting in the audience while the Newbery, Caldecott, etc. awards were announced was surreal.
As far as the FL SCBWI conference . . . I’ve attended this wonderful conference, run by Linda Bernfeld, since it’s inception six years ago. It was an entirely different experience being behind the podium, speaking about being a first-time author, though, than sitting in the audience, listening. I was also able to give a workshop during the conference – a great experience for my first time presenting at a conference.
Both events were possible only because of the publication of my book, so I’m grateful for the new experiences I’m having.
Your book release date was just a few days ago (February 12). What have you done in the way of promotion?
I’m very lucky because Random House has an excellent publicity department, and the person in charge of promoting my book has been very busy. They’ve sent out review copies of my novel, written press releases and created “Mom for President” buttons to promote my novel. There is also a big promotion at www.itsafirst.net, where the novels of first-time authors are showcased.
On my own, I hired a Web site designer, Lisa Firke at www.hitthosekeys.com, to create my Web site, www.donnagephart.com. Seven months before my book’s release, I began a blog at www.donnagephart.blogspot.com. I’ve had business cards, postcards, T-shirts, etc. printed.
I’ve done some interviews and speaking at local schools as well.
You’ve spoken to groups about not giving up on their writing. Please offer some advice to unpublished writers.
10 Very Important Pieces of Advice for Unpublished Writers:
- Turn off the TV. Open a book.
- Write even on days when you don’t feel like it, especially on days when you don’t feel like it.
- Find or start a critique group. (Try to give more than you take.)
- First drafts are never as perfect as you think they are, nor are they as horrible. But they are all you need to begin revisions.
- Don’t compare yourself with other writers. Write the best book, story, poem, etc. that YOU can write.
- Revision is important. Um. Revision is vital to creating good writing. Er. Being willing to make significant revisions time and again will be the difference between being unpublished and being published. (That was certainly the case for me.)
- Act professionally, whether you’ve been published or not, in all correspondence, submissions, etc.
- Don’t write about what you think you should or what topic is hot at the moment. Write about what matters most to you.
- Read my article, “Six Reasons You Should Quit Writing and One Very Important Reason You Shouldn’t!” in the 2009 CWIM.
- Don’t listen to writing advice.
New Agent Interview: Sarah Davies of Greenhouse Literary...
"For me," says agency founder Sarah Davies, "the Greenhouse is about everything I've achieved and assimilated over my entire career, how to work with authors, what constitutes a great book, what publishers are looking for..."
Davies started the Greenhouse Literary Agency with 25 years of publishing experience under her belt and a knowledge of both the US and UK children's publishing worlds. Below she talks about her journey to becoming an agent, and what she can do for the authors she represents. See my post below for the full listing for the Greenhouse that will appear in the 2009 CWIM.
You’ve called starting your agency “a truly epic personal and professional adventure.” Why did you decide to steer your career in this direction?
I’d been a corporate publisher for a long time. I still loved working with my authors and helping to grow and manage the business, but I knew the time had come for a change. I was being approached about a number of opportunities, but I was particularly drawn to do something that would use absolutely all my abilities and experience and that would be very entrepreneurial. When Working Partners (a very successful British company with a great track record for creating children’s fiction for international publishers) offered me the chance to set up and run a brand-new literary agency, I knew it was an amazing opportunity – especially as the business would have offices in both the USA and UK. Plus it all tied in with my personal life – I married my American fiance in October 2007, when I first arrived in the States!
Is the Greenhouse unique in that it’s a British and American agency? What can you do for your authors that other agencies cannot?
There are a number of agencies, especially the big ones, that have offices in both countries. Where I think the Greenhouse is unique, is that I am personally representing authors from both countries – and I’m representing them to both territories. American agencies would generally call the US their ‘home’ market and everywhere else ‘overseas sales’ – with different commission. Unusually, Greenhouse takes the same commission for sales to both US and UK and calls both its ‘home’ market. This reflects the international view I have of the industry (the connectedness of the English-language world) and is partly possible because I have homes in both places. Just as importantly, I have close knowledge of both markets – what books are likely to work in each – and I’m very well connected with publishers in both New York and London, which is crucial.
There are a couple of things the Greenhouse can offer that sets us apart from other agencies, in addition to the transatlantic basis of the business.
Firstly, my publishing background is deeply editorial – I have been a fiction editor most of my life and my specialty is in working creatively with authors. I have worked with some very famous writers, but equally I love to be alongside someone just starting out, when they have a talent and commitment that excites me. That’s why I chose the name Greenhouse – it summed up the kind of development I seek for authors I work with: growth as a writer, growth in finding the right publisher; ultimately, we hope, growth in profile and sales.
Secondly, I’ve mentioned my passion for the international side of the business. Most agencies use sub-agents to sell rights around the world. Greenhouse is very fortunate to work with its sister-company Rights People – a trio of rights-selling experts with a great track record in children’s sales. This gives the agency an unusually cohesive presence around the world.
Is there anything in particular that appeals to you in a manuscript (funny, edgy, etc.) or are there certain types of material for young readers that you prefer (adventure, romance, futuristic, etc.)? How would you describe your taste?
I like everything – from the mass market series to the literary novel, from girly fiction to dark thrillers. I just want to see something special in a project – a shining spark of originality, characters that leap off the page, a narrative voice that makes me keep reading. It’s funny, but when I read something out of the ordinary, I feel like the hairs are standing up on the back of my neck. It’s proved to be a very reliable gauge!
How do you prefer to receive submissions (full manuscript, query)? Any tips you could pass on in regards to first contact with you (or any agent)?
Lots of agents want just a query letter. To me, a writer’s voice is one of the most important factors and you can’t always determine that from an outline. So what I want is: a) a short synopsis (no more than 500 words ; b) a short paragraph of bio (giving any relevant information that might make me want to read your work; c) the first three chapters of the text. In terms of first contact, please don’t believe you are an exception to everyone else – it’s annoying to be called up or sent the same material multiple times.
Can you offer some general advice for children’s writers seeking agents?
Really take your writing seriously and do all you can to polish it before you submit it. Read voraciously, join a critique group, go on a writers’ conference and listen to published authors talk about their experience. There are lots of things you can do to learn about the craft of writing before you start looking for an agent. Also, get to know the market, spend time with kids and understand their world as it is today, not as it was when you were a child or teen. In fact, the Greenhouse’s Top Tips for children’s authors are on the website, so click on to www.greenhouseliterary.com and have a read!
Finally, before you submit anything, read your chosen agency’s website carefully – don’t waste your time (and the agent’s) by sending material that isn’t appropriate to that agency. Submit exactly what is requested – and then allow a realistic amount of time for a response.
Anything else you want to tell us?
Some people get fixated on the idea of having an agent in New York. Having been in Virginia (just outside DC) for several months now, I’m delighted to be in this location. Not only are there far fewer agents here, but there are also some really powerful writers’ groups. On the other hand, I’m close enough to NY to make regular trips, whether for the day or longer, which is also crucial in keeping up with publishers. If I were an author seeking an agent, I’d be asking these questions: Is this agent well connected? Do they really know the industry? Do they understand a writer’s craft – and will they be looking to my long-term interests rather than just making a quick deal? These things are far more important than location in an age of broadband and Blackberry. Oh, and they should actually make sure they like their agent because it’s a particularly close relationship. Editors will come and go, but you hope that your agent will remain!
New Agent Info: Greenhouse Literary Agency...
As mentioned in my recent newsletter (click here to sign up) here's information for Sarah Davies' new agency:
THE GREENHOUSE LITERARY AGENCY
11308 Lapham Drive, Oakton VA 22124. E-mail: firstname.lastname@example.org. Web site: www.greenhouseliterary.com. Contact: Sarah Davies. New agency actively seeking clients. Seeking both new and established writers. Estab. 2008. Member of SCBWI. Represents 4 clients. 100% new writers. 100% books for young readers. Staff includes Sarah Davies.
Represents Handles fiction, middle grade, young adult. "Sarah Davies (who is British) represents authors personally to both the USA and UK, and the Greenhouse has offices in both countries. Commission structure reflects this as the agency takes the same commission for both the USA and UK, treating both as the ‘domestic’ market. Foreign rights are sold by Rights People (a separate business but also part of the Greenhouse’s parent company), a dedicated team of rights-selling experts with a fast-growing international track record. This means sub-agents are rarely used, giving the agency an exceptionally cohesive presence around the world and a truly global reach. Davies has a strong editorial background and is able, as necessary, to work creatively with authors in a very hands-on way to help them reach submission point." Actively seeking children's and YA fiction of all kinds, from age 5+ (post picture book) through teen and crossover. Does not seek "nonfiction, poetry or picture books (text or illustration). However, if a client diversified from children's fiction into other areas, then the Greenhouse would continue to represent the author, whatever the age group or genre of work. The agency represents authors, not books."
- Sarah Davis has had an editorial and management career in children's publishing spanning 25 years; for 5 years prior to launching the Greenhouse she was Publishing Director of Macmillan Children's Books in London, working with and publishing leading authors from both sided of the Atlantic.
How to Contact Send a one-paragraph outline and biography, plus 3 sample chapters. Accepts queries by e-mail, mail. "Allow 6 weeks for a response to initial material. Check Web site before submitting." Returns mss with SASE only. Obtains new clients through recommendations from other, queries/solicitations, conference.
Terms Receives 15% commission on sales to both US and UK; 25% on foreign sales. Offers written contract.Sarah Davies attends Bologna Children's Bookfair in Bologna, Italy; SCBWI conferences; BookExpo America; and other conference--see Web site for information.
Tips "It’s very important to me to have a strong, long-term relationship with clients. Having been 25 years in the publishing industry, I know the business from the inside and have excellent contacts in both the US and UK. I work hard to find every client the very best publisher and deal for their writing. My editorial background means I can work creatively with authors where necessary; I aim to submit high-quality manuscripts to publishers while respecting the role of the editor who will have their own publishing vision. Before submitting, prospective authors should look at the Greenhouse’s ‘Top 10 tips for authors of children’s fiction,’ which can be found on our Web site."
2008 CWIM Agent Updates...
As mentioned in my recent newsletter (click here to subscribe), here are full CWIM listings for some agents and art reps who've recently sent us updated information. (2008 CWIM page numbers are included.)
LIZA DAWSON ASSOCIATES (page 278)
350 7th Ave, Suite 2003, New York, NY 10001. E-mail: email@example.com. Web site: www.olswanger.com. Member of SCBWI, WNBA, Authors Guild. Represents 10 clients. 30% of clients are new/unpublished writers. 50% of material handled is books for young readers.
Represents Fiction, nonfiction; author-illustrator picture books.
- Anna Olswanger coordinates the Jewish Childrens's Book Writers' Conference each fall athe 92nd Street Y in New York City and is a children's book author. Represents Fiction, nonfiction; author-illustrator pictrue books. How to Contact Query with first 5 pages. Must include e-mail address for repsonse. Considers simultaneous queries.
How to Contact Query with first 5 pages. Must include e-mail address for response. Considers simultaneous queries. Responds in 4 weeks to queries; 8 weeks to mss. Obtains most new clients through recommendations and queries.
Terms Agent receives 15% commission on domestic sales; 20% commission on foreign sales. Offers written contract. Charges client for color photocopying and overseas postage.
EDUCATIONAL DESIGN SERVICES LLC (page 278)
5750 Bou Ave, Ste. 1508, N. Bethesda, MD 20852. E-mail: firstname.lastname@example.org. Web site: www.educationaldesignservices.com. Contact: B. Linder. Handles only certain types of work. Estab. 1981. 80% of clients are new/previously unpublished writers.
Represents Considers text materials for K-12 market. "We specialize in educational materials to be used in classrooms (in class sets) or in teacher education classes." Actively seeking educational, text materials. Not looking for picture books, story books, fiction; no illustrators.
How to Contact Query with SASE or send outline and 1 sample chapter. Considers simultaneous queries and submissions if so indicated. Responds in 6-8 weeks to queries/mss. Returns material only with SASE. Obtains clients through recommendations from others, queries/solicitations, or through conferences.
Recent Sales How to Solve Word Problems in Mathematics, by Wayne (McGraw-Hill); Reviewing U.S. & New York State History, by Farran-Paci (Amsco); Minority Report, by Gunn-Singh (Scarecrow Education); No Parent Left Behind, by Petrosino & Spiegel (Rowman & Littlefield); Teaching Test-taking Skills (R&L Education).
Terms Agent receives 15% commission on domestic sales; 25% on foreign sales. Offers written contract, binding until any party opts out. Terminate contract through certified letter.
SALZMAN INTERNATIONAL (page 290)
1751 Charles Ave., Arcate CA 95521. Phone/fax: (707)822-5500. E-mail: email@example.com. Web site: www.salzint.com. Commercial illustration representative. Estab. 1982. Represents 20 illustrators. 20% of artwork is children's book illustration. Staff includes Richard Salzman. Open to illustrators seeking representation. Accepting both new and established illustrators.
Handles Accepts illustration.
Terms Receives 25% commission. Offers written contract. 100% of advertising costs paid by illustrator. Advertises in Workbook, ispot.com, altpick.com.
How to Contact For first contact, send link to Web site or printed samples. Portfolio should include tearsheets, photocopies; "best to post samples on Web site and send link." Finds illustrators through queries/solicitations.
S©OTT TREIMEL NY (page 284)
434 Lafayette St., New York NY 10003. (212)505-8353. Fax: (212)505-0664. E-mail: firstname.lastname@example.org. Contact: Scott Treimel. Estab. 1995. Represents 45 clients. 10% of clients are new/unpublished writers. Specializes in children's books, all genres: tightly focused segments of the trade and institutional markets. Member AAR, Author's Guild, SCBWI.
Represents 100% juvenile books. Actively seeking career clients. Not seeking picture book authors, but author/illustrators may submit.
- Prior to opening his agency, Scott Treimel was an assistant to Marilyn E. Marlow of Curtis Brown; a rights agent for Scholastic, Inc.; a book packager and rights agent for United Feature Syndicate; the founding director of Warner Bros. Worldwide Publishing; a freelance editor; and a rights consultant for HarperCollins Children's Books.
How to Contact Send query/ouline (include word count, number of chapters, and protagonists' ages), SASE, sample chapters of no more than 50 pages. No multiple submission. Queries without SASE will be recycles. No fax. queries.
Recent Sales Sold 29 titles in the last year. Right Behind You, by Gail Gailes (Little, Brown); Comic Guy, by Timothy Roldand (Scholastic); Kitchen Dance, by Maurie Manning (Clarion); The Ninja Who Wanted to be Noticed (Viking); Love is a Good Thing to Feel, by Barbara Joosse (Philomel); Kiki, by Janie Bynum (Sterling); The Hunchback Chronicles, by Arthur Slade (Penguin Canada); Before and After Otis, illustrations by Cyndy Szekeres (Harcourt); Grandma Calls Me Beautiful, by Barbara Joosse (Chronicle).
Terms Agent receives 15-20% commission on domestic sales; 20-25% on foreign sales. Offers verbal or written contract, binding on a "contract-by-contract basis." Charges for photocopying, overnight/express postage, messengers. Offers editorial guidance, if extensive charges higher commission.
Writers' Conferences Speaks at Society of Children's Book Writers & Illustrators Conference, The New School; Southwest Writers Conference; Pikes Peak Writers Conference.
Tips "Keep cover letters short and do not pitch. Let your work speak for itself."
WYLIE-MERRICK LITERARY AGENCY (page 284)
1138 S. Webster St., Kokomo IN 46902. (765)459-8258. E-mail: See Web site. Web site: www.wylie-merrick.com. Contact: Sharene Martin-Brown or Robert Brown.
- From Wylie-Merrick's Sharene Martin-Brown: "Although we continue to work with our established children's authors, we are not looking for new clients in this area.
ASCIUTTO ART REPS., INC.
1712 E. Butler Circle, Chandler AZ 85225. (480)899-0600. Fax: (480)899-3636.Web site: www.Aatreps.com E-mail: Aartreps@cox.net. Contact: Mary Anne Asciutto, art agent. Children's illustration representative since 1980. Specializing in children's illustrations for children's educational text books, grades K thru 8, children's trade books, children's magazines, posters, packaging, etc.
Recent Sales Bats, Sharks, Whales, Snakes, Penguins, Alligators and Crocodiles, illustrated by Meryl Henderson (Boyds Mills Press).
Terms Agency receives 25% commission. Advertising and promotion costs are split: 75% paid by talent; 25% paid by representative. US citizens only.
How to Contact Send samples via email with a cover letter résumé. Submit sample portfolio for review with an SASE for it's return. Responds in 2 to 4 weeks. Portfolio should include at least 12 samples of original art, printed tearsheets, photocopies or color prints of most recent work.
Tips In obtaining representation, "be sure to connect with an agent who handles the kind of work, you (the artist) want."
Thursday, February 14, 2008
SCBWI Bologna Interview Series on Cynsations...
A note from webmaster/blogger extraordinaire Cynthia Leitich Smith:
"It's my pleasure to host the SCBWI Bologna 2008 interview series, which launched today with an interview of Tracey Adams of Adams Literary in the U.S. Please check back at Cynsations or my MySpace blog over the next few weeks for 32 sequential question-and-answer interviews with agents, editors, art directors, publishers, authors, illustrators, and other publishing types about the international youth publishing scene. The series is offered by the SCBWI Bologna Biennial Conference in
conjunction with Cynsations."
Tuesday, February 12, 2008
If you haven't visited Chuck's Guide to Literary Agents blog in a while, check out his recent post with info on an agent interested in picture books, middle grade and young adult work.
You should also click here and sign up for my monthly CWIM e-newsletter (just promise to ignore all the old info about the 2007 CWIM--I'm a little behind with updating this landing page). The February edition will mail at the end of the week (a late Valentine of sorts from yours truly) and will feature an interview with an brand new children's book agent about her brand new agency (!) as well as a Debut Author of the Month interview, market updates, and other things I feel like talking about. There will be newsletter-related content here on my blog as well.
Monday, February 11, 2008
Class of 2k9 Accepting Applications...
An executive member of online marketing collective the Class of 2k9 posted to the CW list on Friday saying that the Class is accepting applications for membership. If you have a mid-grade or YA novel under contract for 2009 publication and have an interest in joining the Class of 2k9, you can e-mail them at theclassof2k9@
If you're not familiar with the Class of 2k7 and Class of 2k8, visit their websites. Also see Greg Fishbone's 2008 CWIM article: "Class of 2k7: First-Time Authors Band Together for Book Promotion" (pgae 98).
Friday, February 01, 2008
Children's Authors and Illustrators Week...
There's an exciting event coming up, and I'm not talking about the Super Bowl. (Go Patriots! Actually I don't really care who wins, although an undefeated season sounds kinda fun. I'm just excited about the Big Sandwich--vegetarian for me--and the guacamole.)
I'm talking about Children's Authors and Illustrators Week which my loves-to-send-me-links brother clued me in on. Why is this not on my Madeline calendar in my office?
I love the idea of a week devoted to creators of book for young readers visiting those readers. Here's what the California-based Children's Authors Network says about CAIW:
During this annual event, acclaimed authors and illustrators from Children’s Authors Network (CAN!) visit schools, libraries, and children’s shelters all over the country. Lively storytelling, fascinating presentations, and hands-on writing workshops make books spring to life, and inspire a life-long love of reading and writing.I say we turn CAIW into a national holiday! Even if you just heard about CAIW, you can still celebrate in your own way. Visit a bookstore or a library with some tiny little readers. Start a new YA novel on Monday. Devote next week to mailing out your own manuscripts. (Make a Big Sandwich in the shape of J.K. Rowling.)